We have to find a way to not forget
them when we peer the glass. Blackest
clay in the riverbed. In the chlorophyll ghosts who still speak of first
churches. Is it enough? Ribbons of dancing light, burnished shields? I know it hurts to be reduced like this, my
beloved ones. Rewritten, overwritten. Epistolary bloodletting. A cataclysm of letters. Epigraph now to haunted text, neither heard
nor read. Nor understood. But we have to find a way to not forget each
other when we peer the glass. All Songs, all denominations and tribes. The
grey betwixt of living annunciation. Our
differences, our similarities. We make
wisdom with it. Or war. Shape, form and
fiction. Like the handling of serpents. The centre pleading hold. Vintage threads, staving mere anarchy. This reign we dream; hoping for the respite of
an imagined kiss. Is it enough, asks the
angel. This hushed, quivering tempest? These arcanum shores? The river always feeds
the heart. I know how much it hurts to
be reduced like this; constantly reimagining the world. Unable to forgive the difference between
knives and feathers unfurling at your back. These fractures between the mirror and the
poet's star. Ever shining. But we must forgive. We must find a way to honour the Spirit when we
peer the glass. Gold, of the streets and
the sea. Last and first churches. Undying crown beneath this cataclysm of
letters. We have spent too long trying not to see ourselves in colour. Who built these lands? I tell you now that Kasi is merely a servant. An emissary baptised in dreaming depths. Treasures of holy light glinting on the face
of the waters. Home is where the heart
is, and I am not greater than the river.
Homelands from Raj Sisodia on Vimeo.